Baylee Griffin

RED EARTH BUD

Red stoneware and wild clay mix with dolomite matte glaze.

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Baylee Griffin (they/she) is an artist and community arts facilitator. Largely working with ceramics, their practice is an act of resilience and reciprocity, rooted in identity and embodied ecocentrism – that is, the view or belief that the rights and needs of humans are not more important than those of other living things. Griffin’s studio practice is accordingly rooted in sustainability, where they endeavour to find and create with accessible local material. Griffin volunteers as the secretary of North Queensland Potters Association and their work in community arts has taken them throughout regional and rural Queensland, where they care deeply about fostering meaningful connections with, and holding safe spaces for diverse communities.

Griffin was a finalist in the 2022 North Queensland Ceramic Awards, and has exhibited throughout Queensland. The artist received a 2023 RADF grant to interrogate the sustainability of their practice, and they shared their findings with the community through seminars and workshops. Griffin has written multiple articles for the Journal of Australian Ceramics as a part of their dedication to connecting regional practice to global dialogues.

In 2024, Baylee presented their first large-scale ceramic installation and body of work in How to Become Flora at Umbrella. The exhibition invited viewers to appreciate Australian flora while also considering its environmental precarity in the production of ceramic work. This priority is a response to Griffin’s strenuous endeavour to incorporate sustainably-sourced Australian and local materials into their practice. The works, crafted from a blend of found clay, studio waste, and collected and purchased glaze materials, embody a journey that reveals the complex interplay between artistic vision and environmental responsibility. While Griffin's work has been largely influenced by Australian flora, they discovered, through learning more about the origins of materials in their practice, the extent to which they were inadvertently harming the very inspiration they drew from. Griffin acknowledges this duality, but simultaneously persists in their practice and advocates for positive change toward a more mindful approach. How to Become Flora draws on this context to present hundreds of suspended ceramic coils, alluding to the stylised and hollow form of a grevillea. This is complemented by a collection of thrown and decorated vessels inspired by elements of native flora.

www.bayleegriffin.com | @potting_along

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